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from the editor

BROOKLYN///STREET LIFE///ON THE WALL WITH OS GEMEOS…

July 3rd, 2008

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Sao Paulo spirit on the street in the BK… 

What? You thought “Too Far Too Close” at DEITCH PROJECTS was the only art show by Brasilian twins OS GEMEOS up in the NYC right now? Grinding away in the gallery for weeks before last weekend’s opening, the bad boys of Sao Paulo still found time to bomb the walls of Brooklyn and leave a little street-level exhibit for the masses. HAVE A LOOK: Read the rest of this entry »

LONDON///U2’s BASQUIAT MASTERPIECE SOLD AT AUCTION…

July 3rd, 2008

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Even this Basquiat masterpiece couldn’t stand U2’s music anymore…

It’s an accepted truism that the best pieces by the deceased street art/Pop master JEAN–MICHEL BASQUIAT are all in the hands of knowing private collectors at this point where they’re likely to stay for some time to come. That fact alone would normally be enough to make the early ’80s masterpiece painting “Untitled (Pecho/Oreja), 1983” auctioned yesterday at Sotheby’s for a healthy £5,000,000 ($9,962,699 USD) especially noteworthy—if it weren’t coming from the private collection of U2, that is. Originally purchased by the Irish band at a posthumous Basquiat show at Robert Miller Gallery in New York in 1989 (Samo OD’d in 1988) for a mere fraction of its current value, the huge painting hung as a backdrop in their Dublin studio and was present at the recording of their albums beginning with “Achtung Baby” until the band mysteriously decided to part ways with it this month. Believed to be a self-portrait created by the then-22-year-old art star in his basement studio beneath Anina Nosei’s gallery, the piece is a truly incredible painting by the late artist and a find of even rarer quality on the open market these days. Of course, it was picked up by an unnamed private European collector who obviously lives somewhere where money is still worth something. HAVE A LOOK: Read the rest of this entry »

POSTED BY J O'Shea/Editor

NYC///OPENINGS///OS GEMEOS’ “TOO FAR TOO CLOSE” AT DEITCH PROJECTS…

July 1st, 2008

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Expecting mass attendance, Jeffrey Deitch hired a crack security team…

The two-headed Brasilian art phenomenon that is OS GEMEOS (Portuguese for “The Twins“) brought their fantastic art circus to NYC when their phenomenal show of new work “Too Far Too Close” opened at DEITCH PROJECTS as the art party of the summer on Saturday nite. In it, identical 24-year-old twin brothers GUSTAVO and OTAVIO PANDOLFO have created a sprawling cityscape within superstar downtown art dealer JEFFREY DEITCH’s cavernous Wooster Street space. Mirroring their psychedelic storybook street paintings that cover the city walls of their native Sao Paulo, Os Gemeos have expanded upon a smaller show of non-commercial work first debuted at the Museum Het Domein in the Netherlands in late 2007 and constructed an immersive dream world of paintings, sculpture, and large-scale installations that transport viewers from the jaded streets of SoHo to the deepest reaches of their prodigious imagination. HAVE A LOOK: Read the rest of this entry »

Features

NYC///OPENINGS///OS GEMEOS’ “TOO FAR TOO CLOSE” AT DEITCH PROJECTS…

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The two-headed Brasilian art phenomenon that is OS GEMEOS (Portuguese for “The Twins“) brought their fantastic art circus to NYC when their phenomenal show of new work “Too Far Too Close” opened at DEITCH PROJECTS as the art party of the summer on Saturday nite. In it, identical 24-year-old twin brothers GUSTAVO and OTAVIO PANDOLFO have created a sprawling cityscape within superstar downtown art dealer JEFFREY DEITCH’s cavernous Wooster Street space. Mirroring their psychedelic storybook street paintings that cover the city walls of their native Sao Paulo…

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THE OC///OPENING NITE: THE DEBUT OF THE LAGUNA MUSEUM’S “JUXTAPOZ SHOW”…

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As the editor of JUXTAPOZ ART MAGAZINE from 1996—2006, I had a personal stake in scoping out the LAGUNA MUSEUM’s “Juxtapoz” retrospective group show “In the Land of Retinal Delights” last nite. Celebrating the so-called “Juxtapoz Factor” in the modern art world, the exhibition chronicled the magazine’s golden age, the years when the underground art world literally exploded into public consciousness and began to permeate the fabric of everyday life in the form of ubiquitous art shows, innovative merchandise, and corporate marketing and advertising campaigns. Assembling a roster of over 150 artists including…

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LA///HYPE 2.0///”MR BRAINWASH” KILLS HOLLYWOOD’S FEW REMAINING BRAIN CELLS…

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To call last nite’s opening of newly minted and ridiculously named “artist” MR BRAINWASH an “art show” would be a disservice to artists everywhere and even Mr Brainwash himself. Instead, let’s call it what it really is: a grand art prank of epic proportions. A heist. A spoof. A joke. Or maybe just the biggest, funnest, sloppiest high school art fair of all time. But let’s not call it an “art show.” Unfortunately, the majority of the Hollywood zombies lined up around the block for the better part of four hours awaiting entrance didn’t quite get the joke…

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CHINA///ROADTRIPPING///CLIMBING THE GREAT WALL…

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One of the most memorable experiences in life has to be climbing the legendary GREAT WALL OF CHINA. Built between the 6th century BC and the 16th century, the 4,000 mile Great Wall was constructed to protect the northern borders of the Chinese Empire during the rule of successive dynasties. The area pictured here is closest to Beijing, the former capital city of the Ming Dynasty which was responsible for building the most strong, fortified, and enduring segments of the wall. At its peak, the Ming Wall was guarded by more than one million men and historical records indicate that around two to three million Chinese died as part of the centuries-long project of building the wall. Now, the colossal structure is a modern tourist trap where American, Euro, and native Chinese travelers mingle to gawk at each other and the monumental gigantitude of the twisting path before them. HAVE A LOOK:

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NETHERLANDS///AN INTERVIEW WITH ANDREW SCHOULTZ…

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Dreamer & renderer of mythic battles, ANDREW SCHOULTZ made his solo European debut at the renowned MAMA GALLERY in Rotterdam Netherlands last week, bringing his chaotic and apocalyptic landscapes to the otherwise peaceful nation. Filled with a curious mix of Middle-Eastern and medieval imagery, Schoultz’ large-scale murals can be overwhelming in their complexity of composition and heavily layered imagery, both hallmarks that have come to define the artist’s enigmatic work. Now, in an attempt to de-mystify his oeuvre, Schoultz sounds off on the method to his madness in the enlightening interview below. HAVE A LOOK:

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